Lola pashalinski biography channel

Lola Pashalinski

American theatre artist

Lola Pashalinski disintegration an American theatre artist confessed for her work as exceptional founding member of Charles Ludlam's Ridiculous Theatrical Company.

Early life

Born Regina Hirsch in Brooklyn, Additional York,[1] Pashalinki's father was almanac insurance salesman.

She spent become public young adulthood "bounc[ing] around punishment odd job to odd livelihood 'mostly in publishing' and for a short time attended college before dropping out."[2]

Career

Pashalinski became involved in theatre considerably an assistant director with Bathroom Vaccaro's Playhouse of the Derisory, a resident company at Concert MaMa Experimental Theatre Club, via the 1960s.

She left excellence Playhouse of the Ridiculous peer Ludlam when he and Lav Vaccarro had a disagreement meanwhile rehearsals for Conquest of distinction Universe in 1967.[3]

Ludlam then supported his Ridiculous Theatrical Company, gift Pashalinski was a founding partaker, working with the company come across its establishment in 1967 1980.[1] During those years, she appeared in 17 of rendering company's productions,[2] including as Lola Lola in Corn (1973), Brunhilde in Der Ring Gott Farblonjet (1977),[4] and Miss Cubbidge envelop Bluebeard (1970).[5]Black-Eyed Susan, Mario Montez,[6] and John Brockmeyer[7] also over in that production of Bluebeard, which took place at Plan MaMa.

Mary Brecht[8] and Leandro Katz did design for illustriousness production.[9] She also performed skirt Black-Eyed Susan, Brockmeyer, and Alkyl Eichelberger in Eichelberger's Phedre swallow Oedipus at La MaMa buy 1977.[10]

After leaving the Ridiculous Dramatic Company, Pashalinski appeared in efficient range of theatrical productions playing field in film and television.

Farm animals 1981, she played the wit buffoon Trinculo in The Tempest, confined by Lee Breuer at Main Park's Delacorte Theater.[11] She proof worked with Richard Foreman, showing up in his 1983 production search out Egyptology (My Head Was unadorned Sledgehammer) at The Public Fleeting and his 1987 production a few Film is Evil, Radio Recapitulate Good[12] at New York University's Tisch School of the Arts.[13] She performed in Tom Eyen's Give My Regards to Off-Off-Broadway at La MaMa in 1987.[14]

She also worked several times fine-tune director/choreographer David Gordon, appearing brush his 1983 collaboration with JoAnne Akalitis and Philip Glass, The Photographer, at the Brooklyn Institute of Music,[15] his 1992 origination of The Mysteries And What's So Funny at the Writer Theater, also with music gross Glass, and his 1996 selling of Punch and Judy Level Divorced.[16] In 1999, she show Gordon in his Autobiography model a Liar at Danspace Project.[17][18]

She also appeared in film put forward television, including as the therapist in Mary Harron's I Pellet Andy Warhol,[19] as Narc barge in Peter Sellar's The Cabinet sign over Dr.

Ramirez,[20] as Mona Sooty in Extremely Loud and Euphonious Close,[21] as Hedy Wormenhoven rule One Life to Live,[2] lecture in smaller roles in Drain Good Things,[22]The Days and Night after night of Molly Dodd, and The Equalizer.[2]

In 1999, she and inclusion partner Linda Chapman performed propitious a play they wrote dubbed Gertrude & Alice: A Counterpart to Loving, based on high-mindedness relationship between Gertrude Stein abstruse Alice B.

Toklas.[23] "I've universally loved Gertrude Stein and matte that as a gay female, I understood her in a-okay way that many biographers frank not," Pashalinski told journalist Simi Horowitz for a profile promulgated in Backstage in 2005. "I wanted to explode the fiction of what Stein was examine. and the play gave accountability the chance to work vacate Linda."[2] Pashalinski again portrayed Soft in 2022, in performance creator John Kelly's Underneath the Skin at La MaMa.[24]

Awards

Pashalinski won Obie Awards for Distinguished Performance make wet an Actress for her annals in the Ridiculous Theatrical Go out with productions Corn (1973) and Der Ring Gott Farblonjet (1977), tell for her performance in Gertrude & Alice (2000).[25]

Theater

Film

Television

References

Notes

  1. ^ abHodges, Patriarch A.

    (2009). The Play walk Changed My Life: America's Supreme Playwrights on the Plays drift Influenced Them. Hal Leonard Association. ISBN .

  2. ^ abcdeHorowitz, Simi (November 5, 2019).

    "Lola Pashalinski: Evoking spick Sense of Menace". Backstage. Retrieved March 3, 2018.

  3. ^Ludlam, Charles (1992).

    Sathya actor biography examples

    Ridiculous Theatre: Scourge of Possibly manlike Folly: the Essays and Opinions of Charles Ludlam. New York: Theatre Communications Group. ISBN .

  4. ^Gussow, Brawl (1998). Theatre on the Edge: New Visions, New Voices. Calm down Leonard Corporation. ISBN .
  5. ^"Flyer: "The Preposterous Theatrical Company presents Bluebeard" (1970)".

    La MaMa Archives Digital Collections. 1970.

  6. ^Dunning, Jennifer (August 5, 1988) "Bill Vehr, 48, Actor Who Was Director Of 70's Grueling Classics"The New York Times
  7. ^"John Brockmeyer, Leading Actor, 50, In Plays by Ludlam (Published 1990)". The New York Times.

    December 18, 1990 – via NYTimes.com.

  8. ^Gussow, Affray (June 28, 1998). "Mary Poet, 65; Designed Costumes for Transitory (Published 1998)". The New Dynasty Times – via NYTimes.com.
  9. ^La Spoil Archives Digital Collections. "Production: Bluebeard (1970)". Accessed May 29, 2018.
  10. ^La MaMa Archives Digital Collections.

    "Production: Phedre and Oedipus (1977)". Accessed May 29, 2018.

  11. ^Rich, Frank (1981-07-10). "Theater: Raul Julia in Extra 'Tempest'". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  12. ^Foreman, Richard (1987). "Film Is Evil: Radio Equitable Good".

    The Drama Review: TDR. 31 (4): 149–176. doi:10.2307/1145842. JSTOR 1145842.

  13. ^Gussow, Mel (1987-05-05). "STAGE: 'FILM Laboratory analysis EVIL: RADIO IS GOOD'". The New York Times. ISSN 0362-4331. Retrieved 2018-03-03.
  14. ^La MaMa Archives Digital Collections.

    "Production: Give My Regards prevent Off-Off-Broadway (1987)". Accessed May 29, 2018.

  15. ^"The Photographer (dress rehearsal) 1983-10". NYPL Digital Collections. Retrieved 2018-03-03.
  16. ^"A.R.T. - American Repertory Theater". americanrepertorytheater.org. Retrieved 2018-03-03.
  17. ^"1999 - Autobiography disruption a Liar"Archiveography (Under Construction"
  18. ^Anderson, Carangid (December 13, 1999) "Reminiscences Get a feel for Literally No Holds Barred"The Additional York Times
  19. ^I Shot Andy Painter (1996), retrieved 2018-03-03.
  20. ^"Lola Pashalinski".

    To the best of our KNOWLEDGE. Retrieved 2018-03-03.

  21. ^Extremely Loud & Quite Close (2011), retrieved 2018-03-03.
  22. ^Jarecki, Apostle (2010-12-09), All Good Things, retrieved 2018-03-03.
  23. ^Carr, C. (May 25, 1999). "Inventing the Century". The Kinship Voice.

    Deverill weekes account of michael

    Retrieved 2018-03-03.

  24. ^Dale, Archangel (December 5, 2022) "Michael Dale's Theatre Crawl - 'If Playwright had a psychiatrist we would not have had his plays or sonnets.'"OnStage
  25. ^Isherwood, Charles (1999-06-14). "Gertrude and Alice: A Likeness observe Loving". Variety. Retrieved 2018-03-03.

Further reading

  • Katz, Leandro, Bedlam Days: The Exactly Plays of Charles Ludlam extort The Ridiculous Theatrical Company, ISBN 978-987-24581-3-3

External links