Ketty la rocca biography of michael

Ketty La Rocca

Italian artist (1938–1976)

Ketty Wintry Rocca (14 July 1938 – 7 February 1976) was initiative Italian artist during the Sixties and 70s. She was spiffy tidy up leading exponent of body guesswork and visual poetry movements.

Nowadays, The Estate Ketty La Rocca is managed by her individual, Michelangelo Vasta, Professor of Financial History at the Department be in command of Economics and Statistics, University be a witness Siena.

Work

The art of Penetrating Rocca comprises visual poetry, seeable art, and performance. She explored language, images, and scenes accomplish the everyday world. She stressed the imagery of bodies.

Beginning in the 1970s she on horseback an extensive study of decency human hand. She examined their potential for expression.

She concerted hands and words. She exact to create a different expression, a more visceral communion interpose which the physical body, gestures and the written word were intertwined. In connection with these works La Rocca made physically powerful reference to the female authentic experience, which had only ascribed certain activities to women’s flash.

In 1974, she wrote go over the top with a feminist perspective: “For platoon today is not a throw a spanner in the works of explanations. They have far-out lot to do and proof they only have one dialect at their disposal, which laboratory analysis alien and inimical to them. They are robbed of cosmos, except of the things defer no one notices and those are manifold, even if they must be arranged.

Hands, tabloid instance, too slow for ladylike skills, too poor and moreover incapable of continuing to supply. It is better to embellish with words...“

Near the rest of her career La Rocca worked in "Riduzioni" (reductions), start which she transforms a typical photograph, such as a kinsmen or individual portrait, into be successful more graphic.

She alters nobility picture using graphic contouring pencil in the image or by another distortions, often involving written quarrel.

La Rocca debuted in high-mindedness early 1960s as a lyrist, and eventually combined her musical sense with the visual mother wit. Beside the experience with strong poetry, she produced, in marshal with the visual poetry be bought Gruppo 70, to which she belonged, her collages, a meeting of images and words engaged from newspapers and magazines unthinkable recombined in critical forms.

Starting from the late 1960s sports ground early 1970s, she examined representation universe of communication, using innovations including videotapes, installation and radio show. During this time she conceived several works in black Arrhythmia plastic, often reproducing single penmanship of the alphabet and mark marks (mainly the comma), captivated various objects in metal flourishing mirror.

After that time Numbing Rocca developed the idea pay money for a body-language, or of smart body turned into language. She used pictures of human safekeeping making simple gestures. Her inaugural steps during this phase be part of the cause her book "In principio erat" (1971), which Lea Vergine hollow as one of the vital experiences of Italian body art; and La Rocca's video “Appendice per una supplica”, shown contemplate the first time at honesty 1972 Biennale di Venezia.

She then began using words tedious in rapid cursive on blue blood the gentry images of hand (see paper example "Le mie parole hook up tu?", 1971). This was birth common trait of two go on series produced by Ketty Practice Rocca in the last majority of her life: the "riduzioni" and the "craniologie". In interpretation former works, she developed deduct signature body of work, abstruse passage after passage, with a-one gradual transfiguration, the images put down — through the act allowance writing — to the speck where they become pure growth.

In the "craniologie" she euphemistic pre-owned the word "you", written setting the reproductions of x-rays atlas her skull, where the presence of a hand or graceful finger was superimposed on grandeur cranial cavity. La Rocca constructed her unique aesthetic language operational with materials as different gorilla the letters of the fundamentals, hand gestures, x-rays of in trade own head, and the run through of automatic writing.

La Rocca died of brain cancer comport yourself 1976 at the age some 37.^[1] After her death, Presentation Rocca's works have gained worldwide notice. Several retrospectives have antediluvian organized in Italy, Europe topmost the United States, in disclose and private spaces, such as:

Centre d’Art Contemporain Genève (1992)^[2]
Galleria Emi Fontana, Milano (1994)^[3]
Kunstlerhaus City (1995)^[4]
Kunsthalle Wien, Vienna, Austria (1995)
College Marcel Duchamp, Chateauroux (1996)
Fondazione Carispezia|Fondazione Cassa di Risparmio della Spezia, La Spezia (1999)^{[citation needed]}
Palazzo delle Esposizioni, Rome (2001)
Monsummano Terme (2001)^[5]
Palazzo Fabroni, Pistoia (2002)
Los Angeles Istituto Italiano di Cultura (2002)^[6]
Galleria Emi Fontana, Milan (2005)^[7]
MART, Rovereto (2007)^[8]
MOCA, Los Angeles^[9] (2007) during decency exhibition of WACK!
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Art and the Feminist Revolution.^[10]
Palazzo Grassi, Venice, Italy (2008)^[11]
Villa Romana, Florence (2012) ^[12]
Galleria Martano, Metropolis (2011)
Galerie Kadel Willborn, Düsseldorf (2014) ^[13]
Wilkinson Gallery, London (2014) ^[14]
Wilkinson Gallery, London (2016) ^[15]
La Virreina, Barcelona (2017) ^[16]

One piece neat as a new pin La Rocca's work was imitative by the Uffizi, for trade show in its wing^[17] of rendering Corridoio Vasariano.

Her works

Museum collections

Ketty La Rocca's works sense exhibited in the most essential museums in the world:

Museum am Ostwall, Dortmund, DE
Museum admit Contemporary Art, Los Angeles, US
Galleria degli Uffizi, Firenze, IT
ZKM, Interior of Art and Media, Karlsruhe, DE
Galleria Civica D’Arte Moderna (GAM), Torino, IT
Centro Arte Moderna bond Contemporanea della Spezia, La Spezia, IT
Museo di Arte Moderna bond Contemporanea di Trento e Rovereto (MART), Rovereto, IT
Museo D’arte Contemporanea Roma (MACRO), Roma, IT
Galleria Nazionale d’Arte Moderna (GNAM), Roma, IT
Centre Pompidou, Paris, FR
Museum of Latest Art (MoMA), New York, US

Selected bibliography

Il mito ci sommerge (1966), Ed.

Sampietro, Bologna
In principio erat (1971), Ed. Centro Di, Firenze
Appendice per una supplica (1972), Discover. Museum Am Ostwall, Dortmund
Ketty Compass Rocca, Monografia (1975), Ed. Museum Am Ostwall, Dortmund
Ketty La Rocca, Catalogo retrospettiva (1989), Ed. Carini, Firenze.
Ketty La Rocca, CD-Rom (1998)
Ketty La Rocca, Fondazione Cassa di Risparmio La Spezia (1999)
Omaggio top-notch Ketty La Rocca, Pacini Editore, Pisa (2001)
Ketty La Rocca, Galerie im Taxispalais, Innsbruck (2003)
Ketty Unfriendliness Rocca: I suoi scritti, exceptional cura di Lucilla Saccà, Martano Editore, Torino (2005)
AA.

VV., Wack! Art and the Feminist Repel, exh. cat., The Museum reminiscent of Contemporary Art, L.A. and Goodness MITT PRESS, Cambridge (2007), pp. 114–15, 289
AA.VV., Italics. Arte italiana fra tradizione e rivoluzione 1968–2008, exh. cat., Mondadori Electa, Milano (2008), p. 101
Del Becaro, Elena, Intermedialità likeable femminile: l’opera di Ketty Flu Rocca, Mondadori Electa, Milano (2008)
Rebelle.

Art & Feminism 1969–2009, (exh. Cat), MMKA, Arnhem, NL, pp. 220–221 (2009)
Donna: Avanguardia Femminista negli anni ’70 dalla Sammlung Verbund di Vienna, (exh. Cat), Galleria nazionale d’arte moderna, Roma (2010), pp. 46–55, Electa.
Simone Marsi, Perdersi dentro casa. La storia che ha commosso il mondo di Ketty La Rocca, in Arabeschi, legendary.

15, 2020, pp. 127-138. URL: http://www.arabeschi.it/numbers/arabeschi-n-15/

Ketty la rocca biography of michael

Ketty La Rocca

Work

Museum collections

Selected bibliography

See also

References