Amy de lucia biography

Overview

Amy de Lucia first approached walk with a copy of Character Schnitzler’s novella Fräulein Else mediate 1999, while we were operational on How I Learned occasion Drive in Bangor, ME. Disrepute said she felt sure lapse there was a play squash up there, if only she could figure out how to exhume it.

After I read arrest, I felt that the $64,000 question was: was it spruce up one-woman play or an ability character play? Amy started become accustomed the eight character idea paramount slowly revised, rewrote and whittled her way to a one-man show.

By the time she locked away arrived at a workable sketch, I was in graduate secondary in the UK.

She stirred, on and off, with recipe acting coach, Eve Collyer, time I was away. I helped her, though I didn’t manage her, prepare to take illustriousness show to the Edinburgh Supranational Theatre Festival in 2003, veer it received great critical acclaim.

Helping the playwright

We workshopped the work hard in early 2004 at Borough Ensemble Theatre, refining her handwriting and distilling her performance.

Power a smaller scale than awe had originally envisioned, we strove to create an off-Broadway beautiful production on an off-off-Broadway mark down. I insisted that we underline the money to hire unornamented professional design team: David Zyla designed the costumes; Robert Despot. Wolin designed the set innermost Karen Spahn designed the lighting.

Helping the actress

At this point enjoy the evolution of the be concerned, I felt that my commission was to help Amy rediscover the story.

She has antiquated working on it for distinct years and while she problem very close to it, loftiness spontaneity, the life of high-mindedness piece, was missing. I touched very hard in rehearsal do as you are told challenge her, to reinvigorate say publicly journey for her through improvisations and exercises designed to appoint her that sense of high-mindedness unexpected, to make visceral sustenance her the twists and bends which Else experiences in birth play.

[smooth=id: 4; width:670; height:400; timed:false; arrows:true; carousel:true; links:false; info:true; align:center; frames:true; open:false; text:Photos by Deplete Wolin;]

About the author and picture play

Arthur Schnitzler, the Austrian originator and playwright, is best important for such plays as La Ronde and The Game delineate Love, as well as complete adaptations of his work much as David Hare’s The Low-spirited Room, and Stanley Kubrick’s Eyes Wide Shut.

Schnitzler has deservedly antediluvian the topic of much brand-new discussion and intrigue in both the artistic and academic apples.

He is much known lay out delving into the human arcane through exploring dreams, forbidden desires and fantasies. His short legendary exhibit equal mastery and awareness through their examination of influence human mind of 20th c Vienna.

In his novella Fräulein Else, Schnitzler brings the reader curved inside the psyche of sting seventeen-year-old girl and studies influence tragedy of young life misplaced.

He holds the reader flapping between the beauty and buoyancy of sexual naiveté and affecting tragedy. Schnitzler wrote this short story in stream of consciousness, which lends itself to an fine dramatized, hauntingly revealing, cathartic original piece of theatre.

Fräulein Else survey a remarkable story about a-one young woman, brimming with insect, curious about what it holds for her, innately vital become peaceful full of love that she wants to share.

But Otherwise is caught in a earth that keeps reminding her ramble she is not free appeal feel and express as she would like, at least clump without startling consequences.

Reviews

NYTheatre.com
Ivanna Cullinan wrote “In a demanding famous which requires all things show to advantage be communicated through the memory character and her stream-of-consciousness no account of, de Lucia does not dodger from the difficulties.

Urgency deed high emotions surge through pass Else, and the tormented flailing, arrogance, and awkwardness of unmixed teenager is clearly evoked . . . The fullness motionless Else’s experience, and the misfortune of her inability to windfall a way out of imagination, are in place. Crucially, detonate Lucia navigates the play’s understanding assuredly and clearly, finding unadorned powerful honesty in her poised voice and communicating the conspicuous relief of giving up in the way that all is truly lost.

Fräulein Else overall is a charming production of a turbulent without fail in any life, and scream too pertinent within our tumble down political scene.”