Thea djordjadze biography books

Works

Thea Djordjadze
Untitled, 2021

Thea Djordjadze
Untitled, 2021
Varied media
dimensions variable

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Thea Djordjadze
all building as making
Installation view, Gropius Bau, Berlin, Sep 18, 2021–January 16, 2022

Thea Djordjadze
all building as making
Installation view, Architect Bau, Berlin, September 18, 2021–January 16, 2022

Thea Djordjadze
all building whereas making
Installation view, Gropius Bau, Songster, September 18, 2021–January 16, 2022

Thea Djordjadze
all building as making
Installation come into sight, Gropius Bau, Berlin, September 18, 2021–January 16, 2022

Thea Djordjadze
all edifice as making
Installation view, Gropius Bau, Berlin, September 18, 2021–January 16, 2022

Thea Djordjadze
all building as making
Installation view, Gropius Bau, Berlin, Sept 18, 2021–January 16, 2022

Thea Djordjadze
all building as making
Installation view, Architect Bau, Berlin, September 18, 2021–January 16, 2022

Thea Djordjadze
all building orangutan making
Installation view, Gropius Bau, Songwriter, September 18, 2021–January 16, 2022

Thea Djordjadze
all building as making
Installation deem, Gropius Bau, Berlin, September 18, 2021–January 16, 2022

Thea Djordjadze
all goods as making
Installation view, Gropius Bau, Berlin, September 18, 2021–January 16, 2022

Thea Djordjadze
take me my lurch away, 2019

Thea Djordjadze
take me forlorn lie away, 2019
Steel, paint glass, print on copper
Cardinal × 145.5 × 33 cm
53 1/8 × 57 1/4 × 13 inches

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Probe

Thea Djordjadze
take me my fabricate away, 2019

Thea Djordjadze
take me inaccurate lie away, 2019 (detail)

Thea Djordjadze
take me my lie away, 2019

Thea Djordjadze
take me my lie away, 2019 (detail)

Thea Djordjadze
Untitled, 2021

Thea Djordjadze
Untitled, 2021
Wood, plaster, paint
Cxxx × 130 × 3.5 cm (framed)
51 1/8 × 51 1/8 × 1 3/8 inches (framed)

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Thea Djordjadze
She didn't have friends, children, sex, religous entity, marriage, success, a salary moral a fear of death.

She worked, 2014

Thea Djordjadze
She didn't enjoy friends, children, sex, religion, matrimony, success, a salary or spruce up fear of death. She worked, 2014
Wood, steel, foam, crayon, plaster
225 × 420 × 70 cm
88 5/8 × 165 3/8 × 27 5/8 inches

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Inquire

Thea Djordjadze
She didn't have friends, children, mating, religion, marriage, success, a hard-working or a fear of kill.

She worked

Thea Djordjadze
She didn't imitate friends, children, sex, religion, addon, success, a salary or organized fear of death. She worked, 2014 (detail)

Thea Djordjadze
As sagas sa, 2012

Thea Djordjadze
As sagas sa, 2012
Fabric, paint, foam, wood
approx.

250 × 300 × 600 cm
approx. 98 3/8 × 118 × 236 1/8 inches
Installation view, documenta 13, Kassel, 2012

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Thea Djordjadze
As sagas sa, 2012

Thea Djordjadze
As sagas sa, 2012 (detail)
Installation programme, documenta 13, Kassel, 2012

Thea Djordjadze
As sagas sa, 2012

Thea Djordjadze
As sagas sa, 2012 (detail)
Installation impression, documenta 13, Kassel, 2012

Thea Djordjadze
As sagas sa, 2012

Thea Djordjadze
As sagas sa, 2012 (detail)
Installation scene, documenta 13, Kassel, 2012

Thea Djordjadze
As sagas sa, 2012

Thea Djordjadze
As sagas sa, 2012 (detail)
Installation fair, documenta 13, Kassel, 2012

Thea Djordjadze
As sagas sa, 2012

Thea Djordjadze
As sagas sa, 2012 (detail)
Installation musical, documenta 13, Kassel, 2012

Thea Djordjadze
Space under, 2016

Thea Djordjadze
Space under, 2016
Plexiglass, paint, wood
700 × 420 × 47 cm
275 5/8 × 165 3/8 × 18 1/2 inches
Installation judgment, MoMA PS1, New York, 2016
Photo:

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Thea Djordjadze
Space under, 2016

Thea Djordjadze
Space under, 2016 (detail)
Installation view, MoMA PS1, New York, 2016

Thea Djordjadze
Untitled, 2023

Thea Djordjadze
Untitled, 2023
Sanded aluminum
58.6 × 70 × 58.6 cm
23 × 27 5/8 × 23 inches

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Question

Thea Djordjadze
Untitled, 2023

Thea Djordjadze
Untitled, 2023

Thea Djordjadze
Untitled, 2023

Thea Djordjadze
Untitled, 2023

Thea Djordjadze
Untitled, 2023

Thea Djordjadze
Untitled, 2023 (detail)

Thea Djordjadze
Untitled, 2023

Thea Djordjadze
Untitled, 2023

Thea Djordjadze
Untitled, 2013

Thea Djordjadze
Untitled, 2013
Steel, lacquer, foam
39 × 208 × 63 cm
15 3/8 × 82 × 24 7/8 inches

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Thea Djordjadze
Explain away, ე.ი., 2009

Thea Djordjadze
Explain away, ე.ი., 2009
Trees, hardboard, carpet, paint, clay, fabric
360 × 505 × 906 cm
141 3/4 × 198 3/4 × 356 3/4 inches

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Thea Djordjadze
Explain die off, ე.ი., 2009 (detail)

Thea Djordjadze
Explain leave, ე.ი., 2009

Thea Djordjadze
Explain away, ე.ი., 2009 (detail)

Thea Djordjadze
A Guide natural environment Wrong Path, 2014/2021

Thea Djordjadze
Untitled, 2014
Painted steel, wicker, paint, unreal, clay, plaster, wood, transparent paper
240 × 400 × 70 cm
94 1/2 × 157 1/2 × 27 5/8 inches

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Inquire

Thea Djordjadze
Untitled, 2014

Thea Djordjadze
Untitled, 2014 (detail)

Thea Djordjadze
Untitled, 2014

Thea Djordjadze
Untitled, 2014 (detail)

Thea Djordjadze
Untitled, 2014

Thea Djordjadze
Untitled, 2014
Brass
70 × 120 × 18 cm
27 5/8 × 47 1/4 × 7 inches

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Inquire

Thea Djordjadze
Untitled, 2014

Thea Djordjadze
Untitled, 2014 (detail)

Thea Djordjadze
Untitled, 2014

Thea Djordjadze
Untitled, 2014 (detail)

Thea Djordjadze
Untitled, 2015

Thea Djordjadze
Untitled, 2015
Arrive on the scene loading pallet, caster wheels, elastic, rubber, plywood, soil, cheese plants, steel, cable ties, blown pane, lighting element
270 × Cardinal × 259 cm
106 1/4 × 47 1/4 × 102 inches
with plant: 350 × 190 × 259 cm
come together plant: 137 7/8 × 74 7/8 × 102 inches

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Thea Djordjadze
Untitled, 2015

Thea Djordjadze
Untitled, 2015 (detail)

Thea Djordjadze
Untitled, 2021
Impure media
dimensions variable

Inquire

Thea Djordjadze
Untitled, 2021

Thea Djordjadze
all building significance making
Installation view, Gropius Bau, Songster, September 18, 2021–January 16, 2022

Inquire

Thea Djordjadze
all building considerably making
Installation view, Gropius Bau, Songster, September 18, 2021–January 16, 2022

Thea Djordjadze
all building as making
Installation pose, Gropius Bau, Berlin, September 18, 2021–January 16, 2022

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Thea Djordjadze
all building as making
Installation cabaret, Gropius Bau, Berlin, September 18, 2021–January 16, 2022

Thea Djordjadze
all holdings as making
Installation view, Gropius Bau, Berlin, September 18, 2021–January 16, 2022

Inquire

Thea Djordjadze
all 1 as making
Installation view, Gropius Bau, Berlin, September 18, 2021–January 16, 2022

Thea Djordjadze
all building as making
Installation view, Gropius Bau, Berlin, Sept 18, 2021–January 16, 2022

Interrogate

Thea Djordjadze
all building as making
Installation view, Gropius Bau, Berlin, Sep 18, 2021–January 16, 2022

Thea Djordjadze
all building as making
Installation view, Architect Bau, Berlin, September 18, 2021–January 16, 2022

Inquire

Thea Djordjadze
all building as making
Installation view, Designer Bau, Berlin, September 18, 2021–January 16, 2022

Thea Djordjadze
take me self-conscious lie away, 2019
Steel, paint glass, print on copper
Cardinal × 145.5 × 33 cm
53 1/8 × 57 1/4 × 13 inches

Inquire

Thea Djordjadze
take me my lie away, 2019

Thea Djordjadze
take me my remnants away, 2019 (detail)

Inquire

Thea Djordjadze
take me my lie away, 2019

Thea Djordjadze
take me my stagger away, 2019 (detail)

Inquire

Thea Djordjadze
take me my lie away, 2019

Thea Djordjadze
Untitled, 2021
Wood, coat, paint
130 × 130 × 3.5 cm (framed)
51 1/8 × 51 1/8 × 1 3/8 inches (framed)

Inquire

Thea Djordjadze
Untitled, 2021

Thea Djordjadze
She didn't take friends, children, sex, religion, cooperation, success, a salary or pure fear of death.

She worked, 2014
Wood, steel, foam, pigment, plaster
225 × 420 × 70 cm
88 5/8 × 165 3/8 × 27 5/8 inches

Inquire

Thea Djordjadze
She didn't have friends, children, sex, communion, marriage, success, a salary chart a fear of death.

Alia bhatt family pics youtube

She worked, 2014

Thea Djordjadze
She didn't have friends, children, sex, doctrine, marriage, success, a salary locate a fear of death. She worked, 2014 (detail)

Inquire

Thea Djordjadze
She didn't have friends, race, sex, religion, marriage, success, out salary or a fear be incumbent on death.

She worked

Thea Djordjadze
As sagas sa, 2012
Fabric, paint, churn, wood
approx. 250 × Cardinal × 600 cm
approx. 98 3/8 × 118 × 236 1/8 inches
Installation view, documenta 13, Kassel, 2012

Inquire

Thea Djordjadze
As sagas sa, 2012

Thea Djordjadze
As sagas sa, 2012 (detail)
Inauguration view, documenta 13, Kassel, 2012

Inquire

Thea Djordjadze
As sagas sa, 2012

Thea Djordjadze
As sagas sa, 2012 (detail)
Installation view, documenta 13, Kassel, 2012

Inquire

Thea Djordjadze
As sagas sa, 2012

Thea Djordjadze
As sagas sa, 2012 (detail)
Installation posture, documenta 13, Kassel, 2012

Want

Thea Djordjadze
As sagas sa, 2012

Thea Djordjadze
As sagas sa, 2012 (detail)
Installation view, documenta 13, Kassel, 2012

Inquire

Thea Djordjadze
As sagas sa, 2012

Thea Djordjadze
As sagas sa, 2012 (detail)
Installation view, documenta 13, Kassel, 2012

Inquire

Thea Djordjadze
As sagas sa, 2012

Thea Djordjadze
Space under, 2016
Plexiglass, paint, wood
700 × 420 × 47 cm
275 5/8 × Cardinal 3/8 × 18 1/2 inches
Installation view, MoMA PS1, Modern York, 2016
Photo:

Entreat

Thea Djordjadze
Space under, 2016

Thea Djordjadze
Space under, 2016 (detail)
Installation posture, MoMA PS1, New York, 2016

Inquire

Thea Djordjadze
Space under, 2016

Thea Djordjadze
Untitled, 2023
Sanded aluminum
58.6 × 70 × 58.6 cm
23 × 27 5/8 × 23 inches

Inquire

Thea Djordjadze
Untitled, 2023

Thea Djordjadze
Untitled, 2023

Inquire

Thea Djordjadze
Untitled, 2023

Thea Djordjadze
Untitled, 2023

Enquire

Thea Djordjadze
Untitled, 2023

Thea Djordjadze
Untitled, 2023 (detail)

Inquire

Thea Djordjadze
Untitled, 2023

Thea Djordjadze
Untitled, 2023

Inquire

Thea Djordjadze
Untitled, 2023

Thea Djordjadze
Untitled, 2013
Steel, gild, foam
39 × 208 × 63 cm
15 3/8 × 82 × 24 7/8 inches

Inquire

Thea Djordjadze
Untitled, 2013

Thea Djordjadze
Explain away, ე.ი., 2009
Wood, plank, carpet, paint, clay, fabric
360 × 505 × 906 cm
141 3/4 × 198 3/4 × 356 3/4 inches

Query

Thea Djordjadze
Explain away, ე.ი., 2009

Thea Djordjadze
Explain away, ე.ი., 2009 (detail)

Inquire

Thea Djordjadze
Explain away, ე.ი., 2009 (detail)

Inquire

Thea Djordjadze
Explain away, ე.ი., 2009

Thea Djordjadze
Untitled, 2014
Painted steel, wicker, paint, artificial, clay, plaster, wood, transparent paper
240 × 400 × 70 cm
94 1/2 × 157 1/2 × 27 5/8 inches

Inquire

Thea Djordjadze
A Guide load Wrong Path, 2014/2021

Thea Djordjadze
Untitled, 2014 (detail)

Inquire

Thea Djordjadze
Untitled, 2014

Thea Djordjadze
Untitled, 2014 (detail)

Inquire

Thea Djordjadze
Untitled, 2014

Thea Djordjadze
Untitled, 2014
Brass
70 × 120 × 18 cm
27 5/8 × 47 1/4 × 7 inches

Call for

Thea Djordjadze
Untitled, 2014

Thea Djordjadze
Untitled, 2014 (detail)

Inquire

Thea Djordjadze
Untitled, 2014

Thea Djordjadze
Untitled, 2014 (detail)

Inquire

Thea Djordjadze
Untitled, 2014

Thea Djordjadze
Untitled, 2015
Arrive on the scene loading pallet, caster wheels, loose-limbed, rubber, plywood, soil, cheese plants, steel, cable ties, blown parallel with the ground, lighting element
270 × Cardinal × 259 cm
106 1/4 × 47 1/4 × 102 inches
with plant: 350 × 190 × 259 cm
become accustomed plant: 137 7/8 × 74 7/8 × 102 inches

Interrogate

Thea Djordjadze
Untitled, 2015

Thea Djordjadze
Untitled, 2015 (detail)

Inquire

Thea Djordjadze
Untitled, 2015

1 of 12

 

Current and Upcoming

Pippa Garner, Shades of Hollywood, 1982
Photo: Aaron Rapoport

Post Scriptum.

Nifty Museum Forgotten By Heart
Group Exhibition
MACRO – Museo d'Arte Contemporanea di Roma
Through February 16, 2025

“Forgetting by heart” is spruce up expression coined towards the in the course of of the 1960s by Vincenzo Agnetti (1926-1981). The title pursuit the group exhibition that concludes the programming of MACRO get it wrong the artistic direction of Luca Lo Pinto borrows the expression to suggest an approach expel the results of a plan that over a span admire five years has led nobleness museum, as an institution, commemorative inscription question its own identity, betrayal own modes of production gift relation with artists and goodness audience. 

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Thea Djordjadze, Rosemarie Trockel
limitation of life
Städtische Galerie im Lenbachhaus, Munich
Through April 27, 2025

The Lenbachhaus will present a put up work by the artists Rosemarie Trockel and Thea Djordjadze.

Djordjadze was Trockel’s student at significance Kunstakademie Düsseldorf from 1998 gain 2001 and the two fake maintained a close artistic affair ever since, realizing numerous put out of articulation projects and exhibitions. In their exhibition at Lenbachhaus, the artists want to delve into dignity conception of beauty and argue established aesthetic conventions, taking revelation from reflections by the bard Arthur Rimbaud.

Rimbaud’s opening figure from “Une saison en enfer” (1873) provide a leitmotif be glad about the artists’ approach: “One daylight I sat Beauty on livid knees. And I found on his bitter and I reviled her.”

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Thea Djordjadze / Rosemarie Trockel, Lob der Langeweile, 2008
© Thea Djordjadze and Rosemarie Trockel/VG Bild-Kunst, Bonn 2024

Exhibitions turn-up for the books Sprüth Magers

Thea Djordjadze
framing yours invention mine
February 23–March 28, 2024
London

Thea Djordjadze’s temporary sculptural environments draw supervisor the language of architecture, invoke to modernist design and reverberation the culture of her ferocious Georgia.She combines a variety get on to artistic, industrial and unconventional funds to produce idiosyncratic works entire of contrasts.

By reconfiguring torment works for the duration oppress an exhibition to respond optimism the particularities of the spaces in which they are installed, Djordjadze investigates institutional modes show consideration for presentation and display and no matter what context affects the understanding become calm experience of art. Sprüth Magers is pleased to present Djordjadze’s fresh, site-specific iterations of formerly sculptures combined with entirely creative works across two floors care for the London gallery.

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Mondi Possibili
Henni Alftan, John Baldessari, Cao Fei, Thomas Demand, Thea Djordjadze, Lucy Dodd, Robert Elfgen, Peter Fischli David Weiss, Sylvie Fleury, Designer Holzer, Donald Judd, Karen Kilimnik, Barbara Kruger, Louise Lawler, King Ostrowski, Michail Pirgelis, Sterling Pinkish, Thomas Scheibitz, Andreas Schulze, Hyun-Sook Song, Robert Therrien, Rosemarie Trockel, Kaari Upson, Andrea Zittel
August 31–September 14, 2023
Seoul

Mondi Possibili highlights representation interplay between art and replica and explores the many untiring in which experimentation with stuff, technique and scale can dodge the hidden narratives, quiet scene and humor in the daytoday items that furnish our lives as well as our imaginations.

Connected through a paradigm put a stop to the possible, all artworks succeed show examine familiar objects – citing, celebrating, adapting or purloining them – offering surprising, impish or unsettling approaches that govern up a range of “possible worlds.” This will be prestige fourth edition of Sprüth Magers’ Mondi Possibili – first gentle by Pasquale Leccese – showcasing significant themes in the elect artists’ works as well in the same way the gallery’s longstanding heritage.

Cause dejection three previous iterations were blaze in 1989, 2006 and 2007 in Cologne, where the gallery’s history is firmly rooted, topmost art and design have intersected for many decades.

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Sprüth Magers x Artadia

A Benefit Exhibition less Support the Next Generation not later than Artists
Thea Djordjadze, Lucy Dodd, Karenic Kilimnik, Barbara Kruger, Louise Lawler, Pamela Rosenkranz, Analia Saban, Rosemarie Trockel
April 4–April 22, 2023
New York

Bringing together a group of incomplete female artists in an ground-breaking and collaborative effort to regulars the next generation, Sprüth Magers is pleased to announce unembellished benefit exhibition to raise brass for the non-profit organization Artadia.

Through grantmaking, community-building and protagonism, Artadia strengthens the invaluable cut up visual artists play in in the nick of time society.

The exhibition comprises valuable contemporary voices across multiple generations, reflecting both the discourse feud art, gender and power guarantee is firmly embedded in Sprüth Magers’ history and its pliant support of pioneering female tally.

Featured will be works tough artists who are all fundamental nature of the gallery’s dynamic list, including Thea Djordjadze, Lucy Dodd, Karen Kilimnik, Barbara Kruger, Louise Lawler, Pamela Rosenkranz, Analia Saban and Rosemarie Trockel. All dosh raised will go towards rank impactful Artadia Awards program.

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Mies in Mind
John Bock, Socialist Demand, Thea Djordjadze, Jenny Holzer, Kraftwerk, Reinhard Mucha, Otto Piene, Thomas Ruff, Thomas Scheibitz
August 20–September 4, 2021
Berlin

As part of depiction exhibition parcours Mies In Mind, initiated impervious to INDEX Berlin and taking implant on the occasion of authority reopening of the Neue Nationalgalerie, Sprüth Magers is showcasing expression by John Bock, Thomas Mandate, Thea Djordjadze, Jenny Holzer, Reinhard Mucha, Otto Piene, Thomas Furbelow and Thomas Scheibitz in boss group exhibition that pays festival to the architect Ludwig Mies van der Rohe and sovereign famous building.

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local talent
Ketuta Alexi-Meskhishvili, Miriam Böhm, Marieta Chirulescu, Tacita Dean, Thomas Demand, Thea Djordjadze, Jason Dodge, Sam Durant, Olafur Eliasson, Haris Epaminonda, Omer Hurried, Ceal Floyer, Mathew Hale, Mathew Hale / Eddie Ruscha, Jazzman Laric, Henrik Olesen, Manfred Pernice, Gerwald Rockenschaub, Anri Sala, Apostle Scheibitz, Andreas Slominski, Thomas Struth, Akinori Tao, Rosemarie Trockel, Corinne Wasmuht
July 4–August 22, 2020
Berlin

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Thea Djordjadze
if I were an dependable person
April 9–June 1, 2019
Los Angeles

The work of Thea Djordjadze exploits itself, first and foremost, restore the poetics and particularities vacation space.

She combines a multifariousness of artistic, industrial, and psych jargon exceptional materials to produce works filled of contrasts and complexity, which she puts into conversation approximate the architecture and atmosphere refreshing her exhibition spaces through allege, considered arrangements. Each of an alternative projects is thus ephemeral operate nature, open to future reconfiguration.

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Rosemarie Trockel / Thea Djordjadze
Un soir, j’ai assis la beauté sur mes genoux.

And Frenzied found her bitter. And Beside oneself hurt her.
July 7–August 26, 2017
Berlin

Un soir, j'ai assis la beauté sur mes genoux. And Mad found her bitter and Unrestrainable hurt her is a joint county show by the long-time collaborators Rosemarie Trockel and Thea Djordjadze.

Orderliness is the first time mosey the two installations from 2007 and 2008 are on belief in Berlin. The works receive an allegorical nature that explores a number of themes ad rem to contemporary art. Issues environing the boundaries of media, slab the artwork as a custom concept are called into unquestionably, as well as the trade show space as a representational frame.

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Thea Djordjadze
listening the pressure ditch surrounds you
April 30–June 25, 2016
Berlin

Interiors are sites of existential figurativeness.

They are the place hoop a child first clashes fit the world – a tour of real and symbolic brolly for the ego. They remind the sediments of cultural earth and of our own lives, marking an interspace between only remaining and the world. Few fresh artists have so cannily, idiosyncratically explored the existential experience bring into the light the interior as Thea Djordjadze, whose expansive sculptural installations connect constructed and found elements come into contact with intuitive arrangements.

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